Twitter for Teachers: an experiment in openness

So. Nine weeks of teaching Educational Technologies with a Bachelor of Education class. Out in the open. Quite an experience.

At the intersection of the Internet and education, ‘open’ seems to be the word on which directions hang. Openness is everywhere: in code, in the shift from scarcity to abundance, in OERs and MOOCs and all those Big Things that are going to change Everything. Um, somehow.

The issue is that ‘open’ is open to interpretation. As a signifier in the world of education and technologies, it’s a word that means different things to different people.

Most of those things – open education, open access, open content among them – have their own histories and interests. They intersect around sharing and re-use of resources, to an extent, but are not interchangeable.

Each of them has important contributions to make to education, particularly in relation to the rise of the venture capital xMOOCs and Khan Academy models, wherein ‘open’ increasingly looks like it’s being taken up as a precursor to the words ‘for business.’

But all these forms of ‘open’ tend to be tied in some way to the paths via which the Internet bypasses closed and traditionally-monetized systems.

There’s another form of ‘open’ that the internet makes possible.

Why Openness?
I think it may be the most important one, in terms of education’s potential. But it’s tied to a concept of value that doesn’t necessarily monetize well.

It’s ‘open’ in the personal sense, where the boundaries of privacy and professionalism blur. It’s still about sharing and re-use, but from an individual node-in-network perspective. Here is my stuff, it says. My learning, best as I can sum it up or package it right now. My efforts. Here is my work, my passion, my humour, my stumbling in the dark. Here are my people, my conversations, my ideas in raw form. Maybe you can do something with it. With any of it. Go.

It’s the kind of ‘open’ at the centre of Alan Levine’s longstanding True Stories of Openness project (recently re-branded from Amazing Stories of Openness thanks to closed copyright issues), which captures powerful stories of individual experiences of transformation and opportunity and travel (and more!) all stemming from sharing and re-use at the personal level.

It the kind of ‘open’ that takes traditionally-closed subject roles like ‘teacher’ and ‘student’ and forces everyone to navigate new ways of interacting, based less on the safety net of hierarchy and formality and more on plain old engagement with ideas.

Why Twitter?
I’ve been writing and working professionally in the open, in this sense, for years, blogging and sharing and Tweeting and somewhere along the way, building up an incredible network of people whom I talk to about education and writing and technologies and parenting and learning and…welll…just life. I’ve gotten great value from it all, and while much of it started for me with my blog, it’s been Twitter that’s really opened up and enriched my circles these past few years.

So this past term, when I had the chance to build Twitter into the Technologies in Education course my friend & colleague Daniel Lynds & I were developing and teaching, I leapt. I’ve introduced classes to Twitter before, and even had them utilize it for particular assignments, but I’ve never made it a central (and required) thinking and sharing space over the length of a term. And I’ve NEVER shared a class hashtag with two other sections (I taught one section of #ed474; Daniel taught two) of the same course, effectively making the Twitter space an open, cross-class forum for seventy-ish people, a good three-quarters of whom went in quite unenthused about the whole Twitter prospect.

It turns out it’s fun. And one of the hardest things I’ve ever done as a teacher.

Here’s some of what I (and we) learned in the process.

The Plan: Participatory Education 
The course was titled “Technologies in Education.” When Daniel & I were hired, we were asked to keep the syllabi fairly parallel, so we designed the course structure together, building in part from old course descriptions and timelines but creating an entirely new reading list, with new assignments.

One of these? Twitter. At least four tweets a week, for nine weeks. At least half these had to be conversational, directed at other classmates or authors of articles or us as instructors, or anybody else brave enough to take up the shared and public #ed474 hashtag. At least one tweet a week was supposed to share a link, with synopsis, related to our readings and the reflective assignments going on behind the scenes, in the Moodle LMS spaces assigned to each class.

The main goal of the great #ed474 Twitter experiment was basically to try to scaffold students into meaningful engagements with the real affordances of the Internet: openness, sharing, collaboration, networking beyond geographic limitations.

Yeh. Nothing ambitious. ;)

We wanted to model participation: Twitter tends not to make sense to anybody in the first few weeks they try it. It’s a participatory medium – sustained engagement is key.

We also wanted to model networking. There were twelve required readings in the course, plus a number of suggested videos and other resources. The majority of these were by people working actively and openly in the field of Technologies in Education. People on Twitter, people who students could engage with – maybe – if they tried. People whom students could make part of their own long-term, sustainable professional development networks. People whom students could, in effect, leave our classrooms and take with them. People like Will Richardson, who took half an hour to Skype with my class and talk about an article many of them had found inflammatory on first contact. That half hour – and that sense of connection, which both they and he continued on Twitter – may have been the factor that opened the door to what ‘open’ can be, for many of them.

In education, we talk a lot about student-centered learning and collaboration and real-life engagement. These are important, we tell pre-service teachers. But we don’t always do a great job of modelling them. We figured if we could make this experiment work, even a little, students would come out not only with skills in utilizing social media for professional and educational purposes, they *might* also come out with a far more 21st century sense of what it means to be an educator.

Mutiny in The Open?
Even aiming in this direction – for Daniel and I – meant changing our senses of our role and its entitlements, as well.

Academia tends to be one of those (literally) old-school closed structures. Education is about and has always been about systems of power. It’s also about learning and transformation and all those things, but the traditional classroom system privileges the teacher as authority. We’re trained from childhood to pay attention when the teacher raises her voice or flicks the lights. There’s no equivalent process in social media. When you open things up and get three classes of students actively sharing a hashtag, you change the power differential. Not entirely, but more than is comfortable, sometimes.

A few weeks into the course things got tense. Daniel & I hadn’t fully managed to get students onside, I don’t think, with the structure and intent of the course overall, and there was anxiety across all sections about an upcoming in-class assignment. The individual circumstances governing our classes differed, and Daniel ended up postponing that assignment for his two sections.

Ten minutes later, the first Tweet came across my screen: “can we get an extension too?”

One student asking quickly became three. In the open, indeed.

Our class didn’t actually have the same reasons for postponement: this was a participatory assignment and my instincts were that to build energy and buy-in, I needed to engage them, not postpone. But I also needed to address the request Right That Minute, in a public way, in a series of 140 character tweets that let them know I heard and respected their concerns.

Because if I’d walked away, by the time I came back, the requests would have built to a clamour. And by the time there’s a clamour, people have dug in.

I gulped. Then I put on my Very Best Self and listened and and tried to hear what was actually being asked for. It sounded like fairness was being asked for – they needed to know there were real reasons not to postpone our group given that the other group had been. Fair enough.

That’s the thing about working in the open. You can’t simply dim the lights and hush everyone. You’re part of something, and you may be guiding something, but you don’t control that thing. You’re in it with the network you’ve built. If that network includes your students, then they have public voices within it. If they mutiny, the mutiny will be active and loud and confusing unless you understand what’s going on. They’re not being insubordinate (usually). Networks are not hierarchies. And the medium encourages overt performance of discontent or questioning in a way that the classroom simply doesn’t, unless you’re in Dead Poets’ Society.

And however you all succeed or fail or muddle through, everybody’s watching. No pressure.

In truth, though, as someone who is both a teacher AND a student and has worn both hats simultaneously for years, this openness is a Good Thing. It begins to unpack the power structures around teaching. But your role won’t be the thing that backs your authority. It’s only you, and your fairness and accountability and willingness to both listen and lead.

The End Game
The jury’s still out on whether the course worked, particularly in its Twitter incarnation.

I think, for some, it did. Others went along but aren’t likely to leave enthusiasts of the platform. Daniel has a theory that there are Stages of Twitter, like Stages of Grief. People start with Reluctance (or Derision, even), and might stay there forever unless some form of necessity (like, say, a course) forced them into the environment. Once there, they flounder through Confusion, Awareness, Acceptance, and…if all goes smashingly well, into Engagement (even Enthusiasm!)

I think a few of our students made it to Enthusiasm. One – bless her – said, via a series of Tweets: “In our program so much of the theory speaks to collaboration but it wasn’t until #ed474 that I was was able to put this theory to practice through tweeting and moodle posts. Learned a lot & enjoyed #ed474 – look forward to keeping up these connections for my continuing professional development.”

A couple, out of the nearly seventy, stayed firmly if respectfully in Reluctance. Most made it to at least Awareness, if only because Confusion simply tends to fade after a few weeks of sustained usage, whether you like what you’re doing or no. A good number, I think, will keep their accounts.

(Those who do will notice I unfollowed them. NOT because I don’t want to be in their networks…I do. But forcing people on Twitter and then hoping they’ll stay but making them feel stuck with me feels…Big Brotherish. So I’m giving them the out. If they want me in their professional networks, they just need to say hi and I am THERE. Will follow again. But if they want to use Twitter henceforth to talk solely about…well…whatever…without me, they can. At least as much as one can on a public platform.)

Many may only use it now and then, from here on in, but from the feedback I received from my own class, at least, a fair proportion did genuinely take away some kind of real, hands-on understanding of participatory practices that I’m not sure we could have modelled for – and with – them without it.

And that’s really all I’d hoped for. I’m not a Twitter fan in any true *geek* sense of the word – I don’t find the platform elegant or appreciate the growing corporatization of the space, and I think for teachers working with younger students there are real alternatives that may still develop some of the communications affordances that Twitter does while NOT throwing everybody into the great wide open.

But out there, and only out there, in some kind of busy open network, can they get the sense of possibility that I think all the hype about “21st century technologies” in schools tends to miss entirely: these technologies are supposed to be connecting people in new ways for learning purposes, not just entertaining them.

At its best, Twitter does both. And #ed474 certainly gave me learning and connection opportunities that I’ve really never had with students before, this term…even just in laughing together on a dull Friday evening while we all stayed home writing papers.

And in the end, that felt like a kind of openness I could really get behind.

 

The World’s Biggest Small Town: or, Be the Twit you Want to See in the World

Over the weekend, I delivered my first-ever solo keynote at the always-fabulous Blissdom Canada conference in Toronto. I also got to be David Bowie for an evening, which was also a first. Plus Jian Ghomeshi told me – BEFORE I dressed up – that my hair has a Bowie thing going on. Heady times, people.

My keynote was an exploration of the ways digital media shape who we are and how we operate together in the brave new world of teh Internets. Building on my Digital Identities work for #change11 back in May, I outlined some of the key features – or affordances – of digital media and the selves that emerge when we connect in digital spaces. These selves are facets of who we are, just as the varying faces we wear when we hang out with our kids or our moms or our bosses or our friends are facets of who we are. And much like our various embodied selves, these digital selves are performative, networked, and quantified – but their performances and networks and metrics are shaped by the platforms they exist on. And thus, so are we.

I argued that these selves offer us potential like never before, and also make us vulnerable like never before. Our networks have the potential to be worldwide, and to scale far bigger than any face-to-face network really can. Our performances leave visible traces. The measurements and quantifications by which we tend to judge our effects on others are new and emergent: we’re still learning how the different currencies of attention work in social media.

But my message was this: the Internet – and the social web in particular – is a commons that we need to start actively treating like the world’s biggest small town.

Connections matter. As humans, we need them. And we are making and modelling them every time we talk to each other online. We are shaping the norms and etiquettes of these online environments with our own traces and approaches. And when we treat each other as if there are no bodies on the other side of the screen – as if what we say online doesn’t have real, human effects and consequences – we contribute to making our small town less.

Here’s the slide deck from the presentation: Blissdom Canada will make the video available in the long run, too.


The most interesting part of the conversation, though, really came after the presentation, during questions. I was asked about kids and social media, and I launched into a diatribe that I hadn’t been fully aware I was gestating.

We seem to have decided not to teach kids how to be citizens of the small town.

Stranger Danger!
We tend to try to keep them out as much as possible, tell them it’s full of creeps and strangers (it has some, admittedly), and then when they turn thirteen, drop them legally on Main Street with a whole bunch of panicky warnings about not doing anything dangerous or stupid. Maybe we walk with them awhile, if they’re lucky.

But do we introduce them to our friends? Model for them the positive things that we do in online spaces? Scaffold them into our networks in relatively safe, supported ways so that the picture they get of the social norms of this small town is one of creativity and sharing and humour and being there for each other?

Do we create networks of supportive adults around kids – adults who know them in their day-to-day lives, who know whole groups of friends and can help them navigate the power relations of growing up from a sympathetic supervisory position while modelling humane ways of engaging with each other?

Nope.

We are so terrified of the spectre of the cyberpredator – and of the possibility of being thought one – that we make it almost suspect for leaders and teachers and adult friends in kids’ lives to want to interact with them online.

I think it does the kids – and all of us – a terrible disservice.

We’ve Abandoned the Playground to the Kids
We’ve known for generations that – left to their own devices – kids and adolescents play with power on their way to learning to be civilized citizens (if they learn…some just consolidate that power. Ahem). But bullying – the extended mis-use of power over another to target and shame – is a part of what we try to mitigate among kids by teaching the Golden Rule in the classroom and attempting to supervise the free-for-all of the playground.

With social media, though, we’ve banned it from schools entirely. The privacy implications – particularly the two-way friending of Facebook, I think, suggesting that the privacy we’re interested in may not be that of the kids – freak us out. So the majority of kids in this society are turning 13, getting a Facebook account (if they don’t have one long before) and wading into the most unsupervised social interaction space they’ve EVER been allowed in, societally, with the capacity for faceless networked mob behaviours and permanent traces of mistakes thrown in for good measure.

On the Internet, You’re Still Not a Dog
This collective blindness, I think, grew out of the once-common belief that there was a divide between the virtual and the so-called real. Early digital scholarship in the 90s investigated primarily closed or at least gated communities whose social interactions online were largely text-based and forum-bound. The tenor of most of the narratives that came out of that era can be summed up in the famous phrase “On the Internet nobody knows you’re a dog.”

There are still a lot of people who treat – and think about – the Internet that way. Grown adults spew crap online as if there were no consequences of their ‘free speech:’ people comment on the subjects of online news stories as if they were vermin of the earth rather than human beings.

The truth is the digital is part of our lives, embedded as one context among many. Sure, it affords different kinds of traces and connections and interactions, as I discuss in the video, but these don’t make it separate.

I want to teach my kids how to navigate this world that’s embedded in the larger structure of all of our lives, and support them as they do.

What We’re Trying, Until We Figure Out a Better Plan
My six-year-old has a blog, and a locked Twitter account. He shares his creative stuff, and says hi to a friend in England, and last spring when I was away at a conference, his Dad helped him send me a picture of his missing front tooth. He left his first blog comment on an adult’s blog tonight, because Annie – whom he had ice cream with when she visited PEI last summer – wrote about this same issue today in reference to my talk.

Our rules for managing this aren’t firm: as we did with our own learning curve when we first went online, we’re making this up as we go along.

But we’re making it up with a fair amount of knowledge under our belts. Dave and I both have strong, longstanding and intersecting networks. We’ve met many of our online contacts. There’s trust.

We have networks, then, that we can gradually scaffold our kids into, in limited but slowly expanding ways. We’ve learned the lessons of boundaries and context collapse; of how to manage the attention that sometimes comes with being online. Hopefully we can pass some of those along in fairly painless teachable moments before the stakes get high, and before the kids migrate to networks populated primarily by peers. While I’m still the person they look to first, I want to teach them.

There are things I don’t like about digital media and what they bring to the fore. I don’t want my son to have to deal with being quantified just yet – though there are ways in which grading at school is already training him towards that, in the offline sense – or with brand or monetization. At the same time, if I can teach him early that part of his brand needs to be “I am kind,” that’s a win. I don’t want him bombarded with the advertising that comes part and parcel with a platform like Facebook, at least yet, though again I’d rather teach him early to unpack and resist the consumer identity his culture will foist on him.

I want to teach my kids to be good citizens, both of Charlottetown PEI and of this world’s biggest small town that is the Internet. I want to model and share with them, gradually and in age-appropriate ways, what it means to be a self online.

Will his presence on Twitter constrain me and my own performance of self? Maybe, though I teach on Twitter now and long ago stopped dropping eff-bombs. If his presence affects me at all it may be to encourage me to be kinder, less catty, all those good things. Not everything I post or share is aimed at him, or even appropriate for him. But even as he grows older and uses the site more frequently, I don’t mind talking about those gaps; about how my communications, like his, sometimes have different audiences.

His presence encourages me to be the Twitterer I want to see in the world. Or perhaps it makes me a twit. But it makes me a twit trying to give my child tools I know he’ll need, online and off.

And I’m okay with that, so far. :)

(Tune in next week when you’ll hear Nurse Janet clutch her pearls and say OMG now you’re talking about Facebook and teens and SCHOOLS?!?! Yeh. That.)

in praise of living in public

It’s October. Late the other night, as I pressed ‘send’ on my oh-dear-god-it’s-finally-more-or-less-done 78 page thesis proposal (yeh, you heard me) and crawled into bed, it occurred to me.

I posted one blog post the entire month of September. One. And an older one got picked up in a bigger venue, which is all very nice. But still.

Neither of them were here, on an address with ‘cribchronicles’ in it.

First time since April of 2006.

I miss this.
***

I think I understand why personal blogs are supposedly endangered, these days. They’re the hardest kind of writing to do.

Oh sure, there may be less editorial pressure and shareholder/brand accountability on a personal blog than you’ll find if you happen to hit the big time and start writing for HuffPo. And hey, even if you have a readership comprised of three living souls, you can be your own personal media empire and utilize thirteen different stats packages to give you a fully-rounded picture of what exactly that reader in outer Uzbekistan actually finds compelling about your work (I once discovered someone had found their way to my blog by Googling “I am the Walrus”…John Lennon, eat your heart out).

But having a vague sense of what has made people come in the past doesn’t necessarily give you a sense of who you’re talking to. On a personal blog, unlike a media outlet with pre-determined demographics and audience, you have to build your sense of who you’re talking to out of whole cloth.

And just navigating that…especially at first, or when who you’re talking to takes a shift, is no joke.

Michael Wesch and danah boyd and internet theorist people call it ‘context collapse.’

Chances are, when you learned to write, you wrote for your teacher. Or for yourself, maybe, and the vague shadowy posterity who might someday find your peach satin diary when you were no longer around. But you had some vague sense of who to address, and in what register.

This is called ‘self-presentation’: we navigate and manage it, all the time, in human life. Most people speak differently to their friends than they do to their mothers, for instance. And, we address people in power over us from different relational positions than we do cashiers in grocery stores, even if we’re entirely respectful in both interactions. We have what Goffman (1959) called different ‘faces’ for these different facets of our lives. We have lots of faces, and we navigate between them all the time.

We’re legion, baby.

Except on teh Internets. Here, we have to take all the faces we regularly wear and throw ’em into a blender and pancake the resulting mush on like a big ol’ mud mask. And the more we live in public? The more faces get smushed into that mix. We post a status update on Facebook and there’s Aunt Myrtle chortling along with our best friend from college and the person who sits three cubicles away. And, oh yeh, that first slow-dance from seventh grade, the one who got away.

That’s context collapse.

Now, more and more, people navigate it every day. Some use privacy settings to minimize it, or try to keep worlds separate. Others of us cultivate broad public selves via social media channels, and discover along the way that our neighbour likes obscure death metal too, or that Aunt Myrtle actually has a rather raunchy sense of humour.

But every time we sit down in front of the blank screen we have to conjure up who it is we are addressing; to imagine, as Wesch puts it, “the nearly infinite contexts” we might be entering (Wesch, 2009, p. 23)

That’s what makes blogging as just one’s plain old self harder, in a sense, than sitting down and writing for a far larger audience under somebody else’s masthead. There, no matter how thoughtful your piece or how much pressure to rise to the reputation of that publication, you are already handed a voice of sorts to inhabit, a self that is both shaped and backed by a brand far bigger than you.

Not here. Here, you can be anybody. But you have to cobble that self together from the nearly infinite contexts and selves reflected back at you by the disco ball of the blank screen.

It’s what makes the dead-letter pile of all the millions of blogs choking the internet, mostly long-left to molder in silence, still an extraordinary accomplishment in human produsage, in Voice. Those millions of people sat down in front of the blank screen and called forth some place to begin, some face to wear, some self from the thousands of possible selves they could have been on that given day.

It’s easy to forget that, when you get used to blogging, when you find your range of faces and an audience willing to receive them…once you narrow the infinite to a more manageable, visible number.

I’d forgotten, until I closed cribchronicles. Now, adjusting to the quiet lean-to that was this theoryblog having become my only room of my own, so to speak, I sit here staring into the void, wondering who I’m talking to. It’s intimidating as hell.

But it’s also heady stuff, a strange thrill reserved for us, the digitally adventurous. Voyages in self.
***

There was a kerfuffle over the weekend at an academic conference, about the ethics and etiquette of live-Tweeting academic conference talks and presentations. Dubbed #Twittergate, it’s been the story – and debate – of the week in higher ed. As someone whose first big conferences were mostly social media and blogging events, where a hundred laptops – now more phones and tablets – go into action every time a session gets interesting, I found the whole thing rather…bewildering. Others have both recapped and deliberated it far more eloquently than I could hope to here, so I’ll just throw in my one small salvo.

The academics who don’t ‘get it’? Who object essentially, as some did, to the idea of their work being represented outside of their control?

Sure, they’re ignoring the water-cooler discussions conferences exist to provoke. Sure, they’re conflating a whole pile of prejudices about what the internet is and isn’t and what prestige is and isn’t in a world turned upside down by information abundance. But.

I also think some of them may be grappling with – or maybe trying to fight off – context collapse. They’re clinging to a notion of professional self that circulates in professional, gatekept circles. They don’t want their ideas represented in a medium they associate with the illustrious musings of Snooki, or with litanies of what people had for lunch.

That’s what it all looks like until you throw yourself into that void and figure out who else is out there to talk to.

Maybe they glance our way out here and they don’t see ideas and peers and the potential for networks or connections. Maybe they glance our way and they see all that plus the rest of the infinite mirror ball of possibility and they cannot figure out who they’d ever speak as, here, and don’t want to be tossed into that paralyzing void?

Maybe. Heck, I feel that way sometimes.

What I say to them is what I say to myself when I stare at the cursor pulsing on the white screen, through, trying to reel in some sense of self and direction on which to scrabble forward:

No way out but through. Welcome to living in public.

 

if Foucault ran a MOOC

In the mad hype these days about MOOCs – which are Massive Open Online Courses, for those of you either not in higher ed or currently aboard the Mars rover – I find myself that dreary voice in the back of the class repeatedly piping up Hey dudes. MOOCs are not just whatever you decided they were when you encountered the word yesterday. MOOCs have a history.

I know. It probably comes off horribly. We in North America tend to be rather ahistorical, these days.

But when you are tied to a thing and its history and then that thing blows up in scale and the silly word that was coined in your living room is in the NYT and the thing you researched two years ago is everybody else’s New Big Thing and it means utterly divergent things to everybody and yet you’re all in the same messy conversation and nobody’s really sure what’s happening, well, you can only speak from where you are.

Which, in my case with MOOCs, is history.

(Or at least historical. The jury is still out on the rest.)

It’s like being one of those annoying groupies who was around before a band got huge and sold out to The Man and I find myself chirping, I knew MOOC back in the day, you know. When he was Authentic.

Yeh. Shaddup already. I got it.

That is not the history of MOOCs I want to talk about. The one where they started in Canada and are based in connectivist principles that model the operations of the internet, and blah blah blah. I have a different story for you.

It’s about what MOOCs – all of ’em, but maybe especially the xMOOCs and Coursera and all the big ones tied to the elite institutions; the ones currently leaping on board and those about to leap – have to learn from Foucault.

I know. Foucault’s star in academia has been eclipsed of late by the resurgence of focus on all things quantifiable and measurable and ostensibly efficient, but I want to wander, at least briefly, down the road of assuming there’s value in stepping beyond the New & Improved! TM sales mentality that seems to accompany our collective contemporary approach to all things educational.

Because here’s the thing. Most of what we’re on the precipice of exploring in higher ed with MOOCs is not actually new.

Foucault, for instance, had a MOOC in 1970. Or at least a MOC.

For the last fifteen or so years of his career, Foucault taught a massive, open course. Every year. That was one of the terms of his chair at the College de France. He was everything MOOC except online.

The politics of France in the late ’60s when Foucault’s chair was decided upon were such that it was perceived as elitist and unthinkable to keep Foucault, one of the country’s great philosophical treasures, from the people. Thus his seminars and courses were free. They ran from January to March each year. The public had the right to attend: two lecture halls were generally filled for every address he gave.

As technology became available, the lectures were recorded. These have since been compiled and sold as books.

Of course, travel and books are NOT actually free. And presumably there were many in France at the time who – due to constraints of money or time or distance – were nonetheless unable to access their national philosophical treasure, no matter their right.

Still, enough people showed up that it was, apparently, something of a pain in the ass for Foucault. Not because he didn’t want to talk to lots of people, but because talking at lots of people is not the same as talking to them.

He opened his 1983 lecture series – his second-last – on January 5th of that year by stating that “it is often rather difficult giving a series of lectures like this without the possibility of comebacks or discussion, and not knowing whether what one is saying finds an echo in those who are working on a thesis or a master’s degree, whether it provides them with possibilities for reflection and work” (Government of Self and Others, page 1).

He goes on, then, to acknowledge that “in this institution, where the rules are very liberal, we cannot give closed seminars, reserved for just a few auditors…All the same, what I would like, not so much for you but selfishly for myself, is to be able to meet. Off-Broadway, outside of the lectures, with those of you who could possibly discuss the subjects I will be talking about this year, or that I have talked about elsewhere and previously” (Government of Self and Others, page 1).

The thing about histories is that they help us understand what is NOT new about what *seems* new so we can understand:
a) what actually IS new.
b) what is valuable in the difference.

From Foucault’s MOC experience, it becomes clear that the idea of massive and open courses isn’t particularly new at all, though it is rather foreign within the North American academic tradition. The key differentiating aspect of MOOCs, then, is that they’re online.

Being online means they can spread and scale and disseminate knowledge incredibly widely, sure. But 2000 or 200,000 people only really begin to take up the online potential of MOOCs when they connect and network. When they go, as Foucault put it, Off-Broadway to discuss and participate: when the possibility of comebacks between professor and student becomes a reality.

This is the piece that I hope the various institutions currently grappling with the question and challenge of MOOCs take to heart: just using the internet to open another giant free lecture hall? Does not a new learning opportunity make. If MIT and Stanford and the lot are doing it out of their deeply socialist commitment to all citizens having the same access to their learned luminaries, well then, the College de France model may suffice.

But it didn’t suffice for Foucault, in terms of his own growth as a thinker and a scholar.

Now, his whole chair existed for the purpose of those lectures. His funding ensured that he had the time to follow those inclinations to set up an Off-Broadway discussion group with interested learners in the lecture herd.

Do the MOOCs that extend the brand of elite institutions enable and support their faculty in engaging with learners, in making MOOCs more than simply MOCs or massive one-sided conversations, however edifying?

Because that’s what the history of massive course delivery suggests is valuable. And that’s something that the historical MOOCs – the smaller, non-institutional Canadian versions that pioneered the term – were built on: the capacity of the Internet to connect people, in networks.

I suspect if Foucault ran a MOOC today – whether xMOOC or connectivist MOOC or any other model yet to emerge – that’s what he’d be advocating.

Listen up, higher ed.

 

what produsage is and why it matters

One of the things we’ll be talking about in my upcoming Building a Culture for Reading in a Digital Age course is, of course, not just reading but the whole digital age itself.

What is the culture of this so-called digital age? What distinguishes it from the era in which most of us grew up?

One of the major markers, I’d argue, is in the participatory capacity of digital media: the ways in which the distinction between producers of media and consumers of media begins to collapse.

We become digital, goes the argument, as we become part of the cycle and networks by which media is produced.

Facets of our identities become embedded in digital interactions and networks and practices.

I began blogging a little over six years ago, just before my elder child was born. I didn’t set out to have the experience create a shift in my identity. I didn’t even set out to become a blogger per se: I didn’t actually read blogs much, at the time.

But something changed for me in the first year after I began blogging. Other people found me, found my writing, and began to leave comments. Their comments generally linked back to blogs of their own. I started to read. Conversations developed. Relationships developed…even friendships. Some of those friendships became fleshed out by face-to-face meetings. Shared histories evolved, preserved in the amber of our blog archives. I became a consumer of the medium, as well as a producer.

Now, most people read blogs before they write one, or look at Instagram or Flickr before they begin sharing photos of their own. But it doesn’t matter which way one goes about it: once you start contributing and sharing and connecting with the work of those who connect with yours, you’re engaging in something called produsage. You’re in the network.

That capacity to join in strikes me as one of the most important distinguishing aspects – or at least potentialities – of digital media. When I watched TV as a kid, it was a one-way medium, a broadcast medium. Sure, I once wrote a fan letter to Mr. Dressup, and got a stamped reply in a CBC envelope, but the relationship between myself and the TV shows I loved was a one-to-many exchange. Mr. Dressup was the one, and I was – as far as the medium enabled our relationship – part of the many, one of a hundred thousand other largely indistinguishable kids who grew up with Casey and Finnegan.

Produsage is not broadcast.

The digital innovation and connectedness that mark social media practices like blogging, Tweeting, photo-sharing, etc, occur in what Axel Bruns (2007) calls a produsage economy, one in which creation and consumption are combined. Also referred to as prosumer exchange (Ritzer & Jurgenson, 2012), this phenomenon is one of the key factors shaping social media’s relational, interdependent environment. In social media, basically, the faceless mass of the broadcast audience becomes a network of individuals.

Produsage relies on networks to collapse notions of production and consumption. The exchange is, on the surface, simple. I write posts, you read them, and vice versa. You make a YouTube video, I click the link on Twitter and leave a comment. You announce your start-up venture, consolidating information I think might be useful, and I share that with 1400 followers. Or twelve. Or 63,000. So long as we are networked via some platform and I happen to be present and catch what you share, the opportunity for that exchange exists.

The size of individuals’ networks matters less than their interconnectedness, their capacity to intersect and create reciprocal audiences…at least until a user’s popularity reaches a scale where one-to-one communications become impossible, timewise. But still, the capacity to interact with large-scale produsers or prosumers on social media platforms is there: if you engage with someone in a sustained manner and offer them value, chances are good that a relationship may develop. Figuring out what individual users consider value and will respond to, and building a profile and network from which to engage, are part of the art of social media.

Produsage matters because it offers people the opportunity to be part of the media they consume. For me personally, it’s been valuable to my development as a writer and as a student: my networks have expanded my horizons and my contacts and my opportunities on both fronts. It’s also been valuable simply to me as a person, in terms of the relationships and friendships I’ve built.

Over the past few years, however, I’ve noticed that the enthusiasm over produsage that marked the early days of social media seems to have been subsumed in the pursuit of ever-bigger audiences. Blogging – and most other social media platforms – have become increasingly monetized, populated with people and corporations interested in reaching broad audiences for business reasons. This ends up prioritizing old broadcast media-style practices, and small produsers with small voices can end up feeling drowned out by the large ones.

I see the promise of produsage being watered-down by this turn of events, and I wonder what it means for those of us interested in having a voice, even in small networks? For the uses of digital media within education? For encouraging kids to become produsers as part of reading in a digital age?

And I wonder, too, what happens to the culture of digital media if – like most media before it, printing press and radio and TV included – it ends up in the hands of a few powerful interests? Produsage offers the possibility of many-to-many communications, but the serious reconfiguration of cultural practices and power relations involved makes navigating the path to becoming a producer as well as a consumer an increasingly challenging one.

What do you think? What do you think are the barriers to produsage? The costs and benefits? Has the capacity to participate and produce as well as consume media had any resonance or impact on your life, personally or professionally?

Where do you see the roadsigns pointing us, as a culture?